In the summer of 2025, Oasis went back on stage together after sixteen years. The Live ’25 tour became the biggest music event of the season, and this is the film about it: rehearsals no camera had ever been allowed into, the hours behind the stage, the shows themselves \u2014 and Liam and Noel Gallagher sitting down side by side for their first joint interviews in more than twenty-five years. The film also steps outside the band’s immediate orbit to look at what these songs mean to the people singing them back from the stands.<\/p>\n
Dylan Southern and Will Lovelace have worked this territory for a long time. Shut Up and Play the Hits (2012) followed the day of LCD Soundsystem’s farewell show; Meet Me in the Bathroom (2022) reconstructed the early-2000s New York music scene entirely out of archive material. Both sit on the line between concert film and portrait, and this one isn’t a concert recording either: it was written by Steven Knight, the creator of Peaky Blinders.<\/p>\n
The film premiered out of competition in the Venice Open section of the 83rd Venice Film Festival on 5 September. The theatrical run is limited and short \u2014 a few days from 11 September, including IMAX screenings \u2014 after which the film moves to Disney+. It opens in Hungary on the same date, 11 September.<\/p>","protected":false},"excerpt":{"rendered":"
In the summer of 2025, Oasis went back on stage together after sixteen years. The Live ’25 tour became the biggest music event of the season, and this is the film about it: rehearsals no camera had ever been allowed into, the hours behind the stage, the shows themselves \u2014 and Liam and Noel Gallagher […]<\/p>\n","protected":false},"author":6,"featured_media":35131,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"acf":[],"yoast_head":"\n